Compositions

2025 Internesses (19’) (string quartet), Quatuor Molinari, August.

2024 Les filles de Caleb, Symphonique (80’) (orchestra), l’Orchestre symphonique de Montréal. Recording, GSI Musique, June.

2023 Ouvertement DFA (3’) (orchestra, mixed choir), l’Orchestre symphonique de Montréal. May.

2022 Riopelle Symphonique (75’) (orchestra, mixed choir), l’Orchestre symphonique de Montréal. Recording, GSI Musique, November.

2020 Courage (6’) (oboe, clarinet, bassoon, tape), (co-composed with Pilou), l’Orchestre symphonique de Montréal/Complètement Cirque, Montréal, June.

2020 Courage (6’) (horn, trumpet, trombone, tape), (co-composed with Pilou), l’Orchestre symphonique de Montréal/Complètement Cirque, Montréal, June.

2019 Sur les ailes du pas de deux (14’) (bass clarinet and orchestra), l’Orchestre symphonique de Montréal, Montréal, February.

2018 TQ 50 (4’) (orchestra), Orchestre Métropolitain, Montréal, October.

2017 The Young Charles Etudes (25’) (percussion solo), Montréal, December.

2016 Réflexions sur Ève (5’) (piano solo), pour Ève Déziel, April.

2015 Etudes on Risk (20’) (string quartet), Montréal, November.

2015 Je regarde l’enfant (3’) (piano, voice), text: Gaston Miron, Théâtre Quat’sous, Montréal, November.

2015 Fanfarezoom (3’) (orchestra), l’Orchestre symphonique de Trois-Rivières, September.

2015 Alex chant (2’) (orchestra, tenor), l’Orchestre symphonique de Trois-Rivières, September.

2014 Naissance d’une femme (11’) (solo piano), pour Geneviève Bessette (danser), Montréal, Monument National, September.

2014 La symphonie rapaillé (75’) (orchestra; 12 male voices), l’Orchestre symphonique de Montréal, Montréal, May.

2014 Bit by Bit by Bit (10’) (bass trumpet/tenor trombone; clarinet; percussion), pour David Martin, Montréal, January.

2013 The Virgin Courtesan Suite (25’) (string quartet; clarinet), Quatuor Claudel, Montréal, May.

2013 Music of the Nuns (6’) (unaccompanied choir-SSAA), Montréal, October.

2012 Nookcrannies (12’) (bassoon solo), Michel Bettez, International Double Reed Society, University of Miami, Oxford, June.

2011 From "Here" (15’) (clarinet/bass clarinet; piano), pour André Moisan, Montréal, September.

2010 Les Pas Possibles (24’) (piano; prepared piano), Société Parkinson du Québec, choreographer: Louise Bédard, Montréal, May.

2010 Blues pour Michel (4’) (bassoon; piano), International Double Reed Society, University of Oklahoma, Oklahoma, June.

2010 Finale (8’) (chamber orchestra, soprano, baritone), Reconstruct’Art Multi-Medium, choreographer: Eddy Toussaint, Montréal, May.

2009 Empathie (10’) (flute/piccolo; oboe; clarinet; bassoon; horn), Pentaèdre, Montréal, February.

2009 Alex et les fantômes (theme and score for animated film; Cité Amérique, Montréal).

2009 Le Quatrième pouvoir (theme and score for series; Productions Pixcom and Radio Canada).

2008–2015 Le Code Chastenay (theme and incidental music for series; Productions Pixcom, Télé-Québec).

2008 The Virgin Courtesan (150’) (music theatre); book and lyrics: Frayne McCathy, DB Clarke Theatre, Montréal, September.

2008 Don’t Be Afraid to... (9’) (string quartet, piano, flute, clarinet), Musica Camerata, Montréal, February.

2006 Destination Beauté / Being Beautiful (theme and incidental music for series; Productions Pixcom / Canal Vie, Montréal; Marathon, France).

2005 The Shakespeare Comedy Show (theme and incidental music for series; The Comedy Network).

2004 SAM (6’) (unaccompanied choir SATB).

2003 On Lattices (10’) (string quartet).

2003 Copro/Proto (3’) (flute; piccolo; guitar), Association of Irish Composers, April.

2003 Speaker’s Corner (4’) Lyrics: Gina Bausson, composed for Les Déeisses, une comédie musicale; other music: Priscilla Lapointe; book and lyrics: Gina Bausson, Montréal.

2002 Que la paix vienne (4’) compact disc, studio album Dentro Mé; lyric: Michel Rivard, Mario Simard, ISBA Music, May.

2001 Jerusalem (120’) (piano, soloists, mixed choir), two-act music theatre; book and lyrics: Aaron Bihari, JMC Productions, Montréal.

2000 Chlorindrome (12’) (string quartet; percussion quartet).

1999 Gestes pour piano à six mains (12’) (three pianos), Montréal.

1995 Piano Series #’s 4,5 (20’) (detuned prepared piano; voice), Chicago Fringe Festival, June.

1995 Lear (incidental music: 12-piece chamber orchestra), text: Edward Bond, The Studio Theatre, Toronto, February.

1994 Compendium Tuning (10’) (flute; alto flute; bassoon; B♭ clarinet; 4 percussion; piano; 2 violins; 2 cellos).

1993 Waiting for Godot (incidental music: detuned, prepared piano), text: Samuel Beckett, Canadian Stage Theatre, Toronto, April.

1992 Aggregate Quilting (indeterminate) (string quartet).

1992 Eve (90’) (amplified violin; detuned electric guitar; alto voice), text: Erik Fabris, Samuel Beckett Theatre, Toronto, April.

1991 Frenulum (5’) (violin solo), Mercer Gallery, Toronto, May.

1990 These Children (8’) (indeterminate quartet), Toronto, Scum Festival, Dacary Hall, April.

1990 Three Women: The Final Push (incidental music: percussion ensemble of found metals), text: Sylvia Plath, Poor Alex Theatre, Toronto, July.

1990 Tartuffe (45’) (piano, baritone), one-act opera, text: Molière, Samuel Beckett Theatre, Toronto, February.

1989 Coloured Tocatta (10’) (saxophone quartet), Toronto, Scum Festival, Dacary Hall, April.

1989 One Night (4’) (flute solo).

1988 Sensates #1 (10’) (piano; soprano; tenor; 5 percussion), Samuel Beckett Theatre, Toronto, November.

1988 Sticks & Stones: A Primitive Musical (120’) (piano, soloists, mixed choir), two-act music theatre; book and lyrics: Brock Simpson, Hart House Theatre, Toronto.